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Kshatriya or Rajput's Facts

Rajputs

PRONUNCIATION: RAHJ-puts
ALTERNATE NAMES: Kshatriya caste
LOCATION: India (Rajasthan state)
POPULATION: 120 million
LANGUAGE: Language or dialect of their region
RELIGION: Hinduism





1 • INTRODUCTION

"Rajput" identifies numerous ksatriya or warrior castes in northern and western India. The term "Rajput" comes fromrajaputra, which means "son of kings." Rajputs are famed for their fighting abilities and once ruled numerous Indian princely states. The British grouped many of these states into the Rajputana Province. Today, it is the Indian state of Rajasthan.
Most believe Rajputs come from tribes in central Asia such as the Parthians, Kushans, Shakas, and Huns. These groups entered India as conquerors and became kings or rulers. They often married high-caste Hindu women or converted to Hinduism. By the ninth century, Rajputs controlled an empire that extended from Sind to the lower Ganges Valley, and from the Himalayan foothills to the Narmada River. 
In 1192, Prithviraj Chauhan led the Rajputs against the Muslim Mughal ruler Muhammad Ghuri (d. 1206) who defeated them at the second battle of Tarain, near Delhi. This firmly established Muslim power and ended Rajput dominance. The only Rajput kingdoms that could challenge Mughal rule were those in the great Thar Desert.
In the eighteenth century, many Rajput states came under control of Marathas and, by the early nineteenth century, the British. Many Rajput kings retained a status as rulers of princely states under the British. This ended when India gained its independence in 1947.

2 • LOCATION

About 120 million people in India call themselves Rajputs. They live throughout northern India, although Rajasthan is considered their cultural homeland.





3 • LANGUAGE

Rajputs speak the language or dialect of their region. In Rajasthan, Rajputs speak one of the dialects of Rajasthani, which sounds a little like Hindi. Some Rajasthani dialects include Jaipuri, spoken in Jaipur, and Marwari, spoken in Marwar.

4 • FOLKLORE

Many folktales describe Rajput exploits. In one story, a ksatriya (warrior) clan leader decided to kill all Brahman (priest and scholar) men after learning a Brahman had killed his father. This meant Brahman females had to marry ksatriya men and gave rise to various Rajput dynasties. In another story, gods created some ksatriya clans on Mount Abu in Rajasthan to help fight Buddhists and foreigners. These Rajputs were known as the agnikula ("fire-race") and were the ancestors of clans such as the Chauhan, Solanki, and Ponwar Rajputs. Other Rajput clans trace their ancestry to the Sun or Moon.




5 • RELIGION

Most Rajputs are Hindu. They were known for protecting Hinduism against Buddhism and Islam. Today, in their religious practices, Rajputs differ little from other high-caste Hindus. They use Brahmans (priests and scholars) for ceremonial and ritual purposes. They worship all major Hindu deities. Most Rajputs are devotees of the god Shiva. Many also worship Surya (the Sun God), and Durga as Mother Goddess. In addition, nearly every Rajput clan has its own patron god to whom it turns for protection.

6 • MAJOR HOLIDAYS

Rajputs celebrate all major Hindu holy days. Of particular importance is Dasahara, a festival dedicated to Durga (the Mother Goddess). It is customary for Rajputs to sacrifice a buffalo to the goddess, in commemoration of her victory over buffalo-demon Mahisha. The animal is beheaded with one stroke of a sword. The meat is usually distributed to servants or lower caste groups.

7 • RITES OF PASSAGE

Rajputs celebrate major stages in life with twelve ceremonies called karams.
When a boy is born, a family Brahman (member of the highest social class) records details for the infant's horoscope. A family barber informs relatives and friends of the birth, and there is much celebration. The Brahman chooses a favorable day to name the infant. When the child is about two years old, a head-shaving ritual takes place. Many Rajputs regard the birth of a daughter as a misfortune and observe the day with little ceremony.
One important rite of passage for Rajput boys is tying of the janeu or sacred thread. As death approaches, a sick person is placed on a bed of sacred kusa grass on a spot that has been circled by cow dung. A sprig of tulsi plant, a piece of gold, or a few drops of Ganges River water are placed in the mouth to delay messengers of Yama, god of death. A cow is brought to the side of the dying person so that he or she can grasp its tail and be carried safely to the other world. After death, the corpse is washed and prepared for cremation. The body is placed on a funeral pyre, facing north. The eldest son lights the fire, and later cracks open the skull so the soul can leave the body.

8 • RELATIONSHIPS

Rajput greeting practices vary by region.




9 • LIVING CONDITIONS

Rajputs traditionally formed landowning classes. In the past, Rajput rulers of princely states such as Kashmir, Jaipur, and Jodhpur were known for their splendid courts. Rajput Maharajas (kings) often lived luxuriously in ornate palaces. After India's independence, however, the princes lost their titles and privileges.
In Rajput homes, men's quarters consist of a courtyard containing a platform about four to six feet (about one to two meters) high, reached by a series of steps and often shaded by trees. Men often gather on these platforms to chat and perhaps smoke the hukka (a pipe). At one end of the platform is a roofed porch. Men usually sleep behind this porch. Smaller side rooms are used for storage.
Women's quarters are enclosed by walls, with rooms facing an inner courtyard. A fireplace is built against one wall for cooking. Stairs provide access to the roof. The interconnecting roofs of the houses let Rajput women visit each other without being seen by men.

10 • FAMILY LIFE

A distinctive feature of Rajput society is its clans. More than 103 clans have been identified in all. Among the more important ones are the Chauhans, whose former capital was Ajmer; the Gehlots of Mewar; the Rathors of Marwar; and the Kachhwaha of Jaipur.
Rajputs marry outside their clan. They also try to marry their daughters into clans of higher rank than their own, while accepting daughters-in-law from clans of lower rank. The Rajput clans in Rajasthan have the highest standing, so families with sons in Rajasthan often are sought by those with daughters.
Rajput marriages are arranged. Marriages are occasions for great ceremony and feasting. The groom, accompanied by friends and relatives, rides in a barat (procession) to the bride's house. Mounted on a horse, he is dressed in colorful robes, with turban and sword. Sometimes, he rides a decorated elephant. Gifts and money are distributed to those who gather. A piece of cloth is tied to the edge of the bride's sari and groom's coat. The couple walks around a sacred fire while Brahmans (priests and scholars) chant prayers. This is known as agni puja (fire-worship ceremony). Several days of celebration follow.
In 1303, when the fort of Chitor in Rajasthan was about to fall to Muslims, the Rajput Rani and all the women in the fort burned themselves to death to avoid being taken prisoners. Women who practiced this act of satiwere revered as saints and stone sati memorials exist in Rajasthan. Despite abundant folklore surrounding this tradition, it was never widely practiced.

11 • CLOTHING

Rajput men wear the dhoti (loincloth consisting of a long piece of white cotton wrapped around the waist and then drawn between the legs and tucked into the waist), often with a cotton tunic. Rajput men may also wear a short jacket, or angarhkha, that fastens on the right side. Rajput men wear turbans that are tied to represent their particular clan. Rajput women wear either the sari (a length of fabric wrapped around the waist, with one end thrown over the right shoulder) or loose, baggy pants with a tunic. The lengha (long, flowing skirt) is also associated with the traditional dress of Rajasthan.




12 • FOOD

Rajputs' dietary patterns vary by region. In drier parts of India, their staple diet consists of various unleavened breads (roti), pulses (legumes), and vegetables. Rice (chawal) and milk products are also important. Rajputs are fond of hunting and enjoy eating venison and game birds such as goose, duck, partridge, and grouse.

13 • EDUCATION

Formal education used to be of little significance among ruling and landowning Rajput clans. Boys were brought up in the traditions of Rajput culture, trained in martial arts and in a code of conduct based on valor and honor. The sons of Rajputs became huntsmen, polo players, horsemen, and swordsmen.
An educational institution of particular note is Mayo College in Ajmer, Rajasthan. The British founded the college in the early 1870s as a school for the sons of princes. Though many Rajputs still attend the school, it has become an exclusive private school for upper class Indian children.

14 • CULTURAL HERITAGE

India's Rajput heritage is vibrant. Rajputs are seen as champions of Hindu dharma (faith). They have left a strong mark on India, particularly in Rajasthan. Members of the Bhat caste keep family records and can trace a Rajput genealogy to a clan's mythical ancestors. Member of the Charan caste record deeds and accomplishments of Rajput rulers. Rajput courts were centers of culture where literature, music, dance, painting, and sculpture flourished with support of the Rajput elite. A specific style of Rajput painting—often focusing on religious themes, portraiture, or miniatures—emerged at Rajput courts in the Himalayas (the Pahari school) and in the western desert (the Rajasthani school). Bardic literature such as Prithviraj Rasorecounts deeds of Rajput heroes. Mira Bai, a poet born in the fifteenth century, was a Rajput princess who is known for her contributions to Hindu bhakti (devotional) literature.
Rajputs built irrigation canals, dams, and reservoirs. The beautiful temples at Khajuraho were built in the tenth and eleventh centuries, and some Rajput groups built many well-known temples in Gujarat and western Rajasthan. Many palaces and forts represent a pleasing blend of Hindu and Muslim architectural styles. Among the more notable are forts at Chitor, Gwalior, and Jodhpur, and the Palace of the Winds in Jaipur. Maharaja Jai Singh II of Jaipur constructed astronomical observatories in Jaipur and Delhi in the early eighteenth century.

15 • EMPLOYMENT

Rajputs continue to be landowners and soldiers. Agriculture is the group's primary work today, but many Rajputs serve in the Rajput Rifles or other branches of the armed services. They also pursue careers as police officers.

16 • SPORTS


Rajputs used to hunt tiger, panther, deer, and game birds. Also popular was pig-sticking, the dangerous sport of riding on horseback to hunt wild boar by sticking them with a lance. Polo sharpened riding skills.




17 • RECREATION

Historically Rajputs have taken great pleasure in the elaborate rituals and ceremonies associated with their religion and community. Weddings and other festive occasions are observed with much enthusiasm and are often celebrated with feasting, and sometimes with nautch (dancing) girls.

18 • CRAFTS AND HOBBIES

Rajput folk traditions include string puppet shows and ballads told by traveling storytellers known as bhopas.In one such ballad, Pabuji, a thirteenth-century chieftain, borrows a horse from a woman to ride to his wedding. Before he does so, he promises the woman he will protect her cows. Soon after the wedding ceremony has begun, Pabuji learns that the thieves are making off with the cows. He leaves his wedding to keep his word and recovers all but one calf. He risks another battle for the calf and is killed by the enemy. His bride then leaves her handprint on the gate of Pabuji's residence and commits sati (burns herself to death, a saintly act in Rajasthan).

19 • SOCIAL PROBLEMS

As landowners, Rajputs do not face the social discrimination and problems of poverty that confront many others in India. While some may have fallen on hard times, Rajputs as a community are prosperous. One of the biggest challenges they face is adjusting to India's democratic environment. As former kings and members of the former ruling class, their power and prestige today is of less importance than in the past. Their economic resources have been threatened by government attempts to redistribute wealth. They have faced challenges from castes seeking economic and political independence from Rajput control. Rajputs lack the unity that would give them a powerful voice in modern Indian politics.

Rajput Wedding


RAJPUT WEDDING CUSTOMS & RITUALS


Rajputs traditionally have their own distinct individual rituals of marriage, as marriage is one of the most important events in life. It is relation which is created for seven generations between the two families of the bride and the groom. Rajputs are the only clan perhaps who have carried forward the tradition of the royal family weddings, the grooms' riding of elephants and the brides' decked up in diamonds and other precious stones. The Rajput marriages, as a rule, are grand traditional affairs.

» Pre - Marriage Ceremonies : Engagement, Ganpati Sthapana, Pithi Dastoor, Mehfils, Janeva Ceremony, Palla Dastoor, Toran

» Marriage Ceremonies : Granthi Bandhan, Paani Grahan, Phera Ceremony, Satapadi, Bidai

Matchmaking


Rajput gives special attention to the matchmaking aspect of the marriage. The match between a boy and girl is made by taking into consideration many important facts. The family is the first and the foremost significant of all factors. Every care is taken to ensure that the alliance is perfect. The status of the families has to be at par. It is also very important that the bride and the groom hail from separate clans. The horoscopes have to be approved and matched by the family astrologer. Rajputs prefer to marry within the community only. However, exceptions are made if either the bride or the groom comes from a royal family.

Wedding Costumes


Bridal Wear


The Rajput bride wears a resplendent traditional Rajputi poshak (The Bridal dress) for the wedding ceremony that is usually red in colour but you will also find orange, yellow, gold or pink poshaks being worn. There are certain traditional items of jewellery worn by the bride for the occasion that also have their own significance.A bright parrot green is a particular favorite of a particular Rajput clan. A lot much jewellery adorns the bride as well. There would be the Rakhdi (a circular piece of jewellery for the forehead), the Sheesphul as headgear, the Aad as a thick neck hanging,  hanging earrings, the Timaniyaan (a choker studded with uncut diamonds), the Chooda (a set of ivory and gold bangles), the Bajuband (gold and stone-studded armlets) at elbow on arms, the Poonchis and the Bangdis as thick golden bangles in arms, the Hathphuls on hands, the Pajeb or Payal (gold anklets) and the Bichhiya (gold toe-rings for the feet) and finally, there is the Nath (the stone-studded nose-ring).




Interesting Facts:




The 'Rakhdi', a circular piece of adornment worn on the forehead in the parting of the hair signifies that the bride must 'walk on the straight line' while the danglers on her ears advise her not to listen to gossip.
The 'Timaniyaan', which is a choker encrusted with uncut diamonds, tells her that she should always bow her head in humility.
The 'Chooda' that is a set of ivory and gold bangles, reminds her to give to charity.
The anklets tell her to put the 'right foot forward' while the nose ring reminds her not to spend more than her husband can afford.
The wedding dress and the Aad is gifted by the groom's side to the bride.



Groom's Attire


The traditional attire for the Rajput male includes a long coat in golden color - known as the Achkan or Sherwani. There is the very majestic saffron turban worn along with a Chudidaar (tight salwar) and Binota or Juti (regal shoes). Surprisingly, the groom too wears some eye dazzling jewellery, such as those of special jewellery, the Serpech to be worn on the turban. There are a necklace to be worn around the neck and a Kammarband at the waist. He keeps a sword in his hand for the ceremony.


RITUALS & CUSTOMS
BEFORE WEDDING



 


Rituals Before Marriage


Tilak or Tika


This is the official engagement ceremony wherein only the male members of the girl’s family go to the boy's house. Only the bride's father, brother and other male relatives take part in this ceremony. Women are altogether prohibited and not even the bride is allowed to attend her engagement – is called the Tika/ Tilak - ceremony! The ceremony, as its name suggests, has the girl's brother applying the Tilak to the groom's forehead. The men from the girl's family usually present the boy with gifts such as a sword, other presents, clothes, sweets, fruits etc. This ceremony makes the engagement or alliance official.

Ganapati Sthaapana


Few days prior to the actual marriage, takes place the Ganapati Sthaapana, are performed wherein either the bride or groom's parents perform a "Havan" to propitiate the gods and an idol of Lord Ganapati is installed. Only after the "Sthaapana" do other ceremonies commence. These are held as very important as it takes place in lieu of the ring ceremony. All ceremonies commence only after the sthapana (installation).

Pithi/ Baan Dastoor


This is an exquisite ceremony which takes place at both the bride and the groom's places. This ritual applies to both the bride and the groom. It would continue till the final wedding day. Once the 'Pithi Dastoor' starts, the bride and groom are forbidden to leave their individual homes. It consists of relatives applying turmeric and sandalwood paste to the bride or groom. The Pithi Dastoor takes place on a large scale at the bride's house. For the occasion, the bride has to wear an orange Rajputi dress. She is made to come under a silken canopy, which is held with the help of swords at the four corners by four ladies. These ladies eventually belong to the same clan. Then she is brought to the ladies gathering and these ladies then apply the paste to her. The ceremony performed for the bride is quite detailed when compared to the groom's and is an all ladies affair. The pithi at the groom's place is held on a minor scale.





As we all know, music is an integral part of Indian weddings and Rajput weddings are no exception. During the 'Pithi Dastoor','Dholans' or women singers with 'Dholaks' sing auspicious pre-wedding songs and generally these Dholaks are present throughout the wedding celebrations. The Dholans sing songs pertinent to each occasion livening up the festivities in the homes of the bride and groom. The 'Shehnai' and 'Nagara' players also are crucial to their weddings but they play in the courtyard or the garden.

Mahira/ Bhaat Dastoor


A ceremony common to the families of the bride and groom is the 'Mahira Dastoor' and is performed by the maternal uncle (Mama) of the bride or groom. The maternal uncle and his family make a grand entrance and are traditionally received by the bride or groom's mother. He gives gifts such as clothes, jewellery and sweets to the entire family and this is a symbolic function as it seen as a brother's duty to help his sister in her child's marriage due to the considerable expenditure that will be incurred.




Bindori/ Bindora The Bride or Grooms are invited on meals by their friends and relatives called Bindoriand Bindora respectively.





Nikasi


In a Rajputi wedding, the groom wears a Safa (Pagdhi) or headgear which is tied up by the sister's husband. The groom also wears 'Pecha', 'Kalgi' and 'Tani'. A Sehra is tied on the pagdhi. The sister in law (brother's wife) of the boy applies Kajal in groom’s eyes. Later, groom's sisters tie golden threads to the reins of the mare in a ceremony called 'Vaag-Gunthai'. While the sister is performing the ritual, her husband holds the reins of the horse. As a custom, the groom pays a visit to the temple first before proceeding to the girl's house.

Baraat


A Rajput’s Baraat is different from all other Indian baraat styles, where the groom dresses in a gold "Achkan" with a "chudidar" or "jodhpurs" with "jootis" and the traditional orange turban on which is adorned a piece of jewellery specially meant for the turban called "Serpech". Around his waist is tied a "Kammarband" and a necklace adorns his neck. It is elegant, poised and individualistic. For one thing, the Rajput Baraat is again an all men's affair. Ladies do not take part in the procession. The groom's marriage procession looks royal and majestic.The groom usually rides an elephant or a horse and carries a sword. Also, the members of the 'baraat' also wear Achkans or Sherwanis with Jodhpur’s and turbans, and proceed to the bride's house. Of course, there is no dancing and all members either ride horses or elephants with swords. As much as that there is no dancing as the baraat progresses through the street. The horse is an important animal for the Rajputs, so the groom must ride the horse at some point in the procession.

Padla/ Samela Dastoor


The Padla/ Samela Dastoor is a custom quintessential to the Rajputs. The 'Padla Dastoor' is a custom followed only by the Rajputs that may be performed a day prior to the wedding or on the actual wedding day and involves the bringing of gifts to the bride, like a collection of many Poshaks, jewelry items, accessories, make-up kits, shoes etc from the groom, by relatives of the groom. These have to be worn by the bride for the wedding ceremony.

Dhukav/ Toran


Finally Baraat reached at doorsteps at Bride. The male members in the bride's family receive the baraaties . The entrance of the girl's house is decorated with a 'Toran'. As a custom the groom hits the Toran with a stick of Jhaadi & Sword. This ceremony is called 'Toranachar' and is symbolic of warding off the evil eye. After this the girl's mother does 'Aarti' and 'Tilak' to the boy. He is given a warm welcome by his mother-in-law by performing the traditional aarti.




Marriage Rituals


The groom is taken by the bride's mother to the ladies section after performing the traditional Aarti. He is then proceded towards the wedding Mandap. In all this only a married male relative or a brother or a male cousin accompanies him. The wedding takes pace as usual with the holy fire and the Vedic mantras. There are the Saat Pheras also. The only exceptional thing about the whole thing is that the bride has to keep her face hidden behind a long veil throughout the marriage. It is mostly attended by the women folk of the family as the men of the house remain busy tending after the barati and other guests.

Granthi-Bandhan/ Gathjoda


The next step is 'granthi-bandhan' or tying the knot. In this the cloth tied around the groom's waist is tied to the chunni of the bride. The ceremony is symbolic of the union of two individuals. From this day they become one entity. Either the sister of the groom or the priest does it.

Paanigrahan


This is followed by the 'paanigrahan' ceremony. The groom takes the bride's hand in his hand. It is again a symbol of this most pious union. It signifies that they will now be together in good times and bad.

Sindhoor (Red Powder)


Then the ritual of 'sindhoor' takes place where the groom applies a small dot of vermilion, a red powder to the bride's forehead and welcomes her as his partner for life. This signifies the completion of the marriage.

Pheras


Then the groom and the bride go around the fire. This act is called 'pheras'. In a Marawadi wedding only four 'pheras' are done in the mandap, rest of the three pheras are performed at the entrance. Following the tradition, in the two pheras, the girl is in the front and in the other two the boy leads




Sindurdaan


Later, in a ceremony called 'vamang-sthpana' the groom requests the bride to sit on his left side, because the heart is in the left side of the body. This signifies that the groom is accepting the bride and is establishing her in his heart. This is followed by sindurdaan ceremony wherein the groom fills the bride's centre hair parting with sindoor or vermillion. Sindoor is considered to be the most auspicious sign of a Hindu married woman.

Aanjhala/ Chhol Bharaai


Following the 'aanjhala bharai' tradition, a bag full of money is put in the new bride's lap by her father-in-law. This is his way of welcoming her into his family and also to make her aware of her family responsibilities. The bride then distributes a part of this money to her sister-in-law and her husband. After this the new couple get up from the mandap. All the elders bless them when the couple touches their feet.

Concept of Seven Lives (Saat Janam)


It is a relationship which is created for seven generations between the two families of the bride and the groom. It comprises a ceremony for the Tilak (engagement), the Ban (starting of the wedding ceremony), the Mel (the community feast), the Nikasi (the departure of the Bridegroom party for the wedding), the Sehla, and the Dhukav (reception of the wedding party at the bride's place by her parents). Solemnisation of the wedding is referred to as Sat Fere.
RITUALS & CUSTOMS
AFTER WEDDING 


 


Bidai/ Vidai


The event of a bride leaving her parental home is marked by the bidai ceremony. A coconut is placed under the wheel of the car and the moving car has to break the coconut before proceeding further. The bride opens her veil before she rides in the car and her husband gifts her piece of jewellery for revealing her face to him.


Grihapravesh


Grihapravesh is actually the entry of the bride into her husband's house for the first time. There take place the essential puja and other rituals as the bride arrives at the Sasural (father-in-law's house).There take place certain games between the bride and the groom, those alike to the usual games that take place in other Hindu weddings.




Pagelagni


The day following the Griha-pravesh, the pagelagni takes place. This is a ceremony where the bride, still in veil, is formally introduced to all the family members of the groom who bless her and give her gifts. The veil is then finally removed.


WEDDING CELEBRATIONS 
Mehfils


The Mehfils are the main attractions of the Rajputi wedding. A mehfil is a place where the ladies of the house assemble for music and dance evening. There is of course a gent’s mehfil as well. At the ladies mehfil, the women collect together at an enclosed courtyard or hall. They are usually dressed in sparkling dresses of all colors. Then, they perform Ghoomar, a famous Rajasthani dance number. 




The bride at the mehfil is given the position of the guest of honor. Though she can also take part in the dance numbers but it is generally believed that she should not overdo it. As overdoing indicates that she is not a modest and well behaved girl. 




The ladies mehfil at the boy's place is the same except for the groom being allowed to attend the only for ladies program. The men's mehfils at both the girl and the boy's places have a different flavor altogether. In these mehfils, professional singers are being invited to perform and these are exclusive all male parties.








Food


Rajput cuisine comprises vegetarian as well as non-vegetarian fare. The Rajputs who are Vaishnavs, those that worship Lord Krishna are strictly vegetarian and the cuisine includes the traditional Rajasthani dishes like the daal-bati. Daal-bati is a dish of cooked lentils and roasted balls of dough, served along with a number of dried or pickled berries cooked in different ways. The warrior class among the Rajputs, those that have warriors as their ancestors, take non-vegetarian dishes. The food is again diverse, inclusive of the seafood and vegetarian dishes. Then, there are the tandoori mixed grill with chicken, lamb, fish, and shrimp, and a smattering of curry offerings.





The royal weddings extend to days and are mind boggling. There are innumerable events and exhaustively rich. Even the Rajput marriage of the bourgeois class is an elaborate affair - with scores of traditional customs and rituals.


Rajputana Painting


PAINTINGS


The Rajasthani paintings covered a wide area including Malwa, Bundelkhand, Mewar, Bundi, Kota, Jaipur, Bikaner, Sirohi, Sawar, Kishangarh and Marwar. What is interesting to note is that each centre developed its own individual characteristics. In Rajputana, painting was already in vogue in the form of Western Indian or Jain Style. This had provided a base for the growth of various schools of paintings under the influence of the popular Mughal School from circa 1590-1600. Nevertheless the Rajasthani kalams developed their own styles in the years that followed.
One striking feature of of Rajasthani Paintings is the arrangement of figures as even small figures are not are not obscured in the composition. the background, the flora and fauna and the symbols help the composition to express an intensity of feelings and emotions. Architecture usually painted in the background, is used as a device to create perspective and depth.   



MEWAR - 1615-1775, BIKANER  - 1640-1750, BUNDI - 1630-1770, KOTA - 1624-1770,
KISHANGARH - 1710-1800, JODHPUR - 1725-1825, JAIPUR - 1710-1825,





LAILA MAJNU, Kota, Rajasthan, circa A.D.1760-1770,
National Museum, New Delhi

SAINT MUSICIAN SWAMI HARIDAS, AKBAR AND TANSEN,
Kishangarh, Rajasthan, circa A.D.1760, National Museum, New Delhi

KRISHNA AND GOPIS, Bihari Sat Sai, Mewar, Rajasthan, circa A.D. 1700,
National Museum, New Delhi

NEWLY WEDDED BRIDE, Jaipur, Rajasthan,
circa A.D.1780, National Museum, New Delhi


TODI RAGINI, Pratapgarh, Rajasthan, circa A.D.1710,National Museum, New Delhi